Maria Iliushkina (Dancer)
Born in St Petersburg. Graduated from the Vaganova Academy of Russian Ballet in 2016 (class of Yulia Kasenkova). Joined the Mariinsky Ballet in 2016.
Repertoire includes: La Sylphide (Sylphs); choreography by August Bournonville, revised version by Elsa-Marianne von Rosen, Giselle (Monna); choreography by Jean Coralli, Jules Perrot and Marius Petipa, La Bayadère (D’Jampe, Grand pas); choreography by Marius Petipa, revised version by Vakhtang Chabukiani and Vladimir Ponomarev, The Sleeping Beauty (Maids of honor of Aurora); choreography by Marius Petipa, revival of the 1890 production, staging by Sergey Vikharev, The Sleeping Beauty (Lilac Fairy, Princess Florine, the Tenderness Fairy); choreography by Marius Petipa, revised version by Konstantin Sergeyev, “Paquita” Grand Pas (variation); choreography by Marius Petipa, Swan Lake (Brides of the Prince, Swans); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev, Raymonda (variation in the scene Dream); choreography by Marius Petipa, revised version by Konstantin Sergeyev, Le Réveil de Flore (Diane); reconstruction of the 1894 production by Marius Petipa and Lev Ivanov, revival by Sergei Vikharev, Don Quixote (Queen of the Dryads); choreography by Alexander Gorsky after motifs of the production by Marius Petipa, Le Carnaval (Estrella, Chiarina), Chopiniana (Prelude); choreography by Michel Fokine, Jewels (Emeralds), Serenade, Symphony in C (IV. Allegro vivace); choreography by George Balanchine, The Nutcracker (Waltz of the Flowers); choreography by Vasily Vainonen, The Fountain of Bakhchisarai (Young Polish Noblewomen); choreography by Rostislav Zakharov, Sylvia (Ceres); choreography by Frederick Ashton, The Stone Flower (Amethysts); choreography by Yuri Grigorovich, The Nutcracker (the Nutcracker’s Sisters); production by Mihail Chemiakin, choreography by Kirill Simonov, The Bronze Horseman (Contredanse); choreography by Yuri Smekalov, Paquita (Paquita’s Friends); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka.
Repertoire also includes: Adagio of Odetta and Sigfried from the scene II of the ballet Swan Lake; choreography by Lev Ivanov, revised version by Konstantin Sergeyev.

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