Born in Rome, Roberta Mameli obtained a Singing Degree at the "Nicolini" Conservatoire in Piacenza and a Violin Degree at the Scuola Civica di Cremona. She attended master classes with Roberta Invernizzi, Bernadette Manca di Nissa, Ugo Benelli, Claudio Desderi and Enzo Dara. She made her debut at a very young age singing in Purcell’s Dido and Aeneas under the baton of Edoardo Mьller and the direction of Graziella Sciutti at the Opera Theatre in Alessandria.

She is regularly invited to perform at prestigious theatres and music halls, working with such conductors as Claudio Abbado, Umberto Benedetti Michelangeli, Fabio Bonizzoni, Filippo Maria Bressan, Daniele Callegari, Claudio Cavina, Alan Curtis, Ottavio Dantone, Enrico Gatti, Paul Goodwin, Christopher Hogwood, Corrado Rovaris, Federico Maria Sardelli, Jordi Savall and Jeffrey Tate.

Much in demand for the baroque repertoire, Roberta Mameli has worked with many specialized ensembles, including: Accademia Bizantina, Contrasto Armonico, Ensemble Inйgal, Il Complesso Barocco, L’Arte dell’Arco, La Risonanza, La Venexiana, Le Concert des Nations and Modo Antiquo, performing in some of the most important European festivals.

Highlights of her successful activity include: Monteverdi’s Il Combattimento di Tancredi e Clorinda and Il Ballo delle Ingrate in Cremona and Regensburg; Stradella’s San Giovanni Battista (Herodiade) with Enrico Gatti at the festivals of Utrecht, Viterbo and La Chaise-Dieu; Monteverdi’s L’Incoronazione di Poppea (Nerone) with Claudio Cavina in Hannover, Regensburg, Paris, Milan and Periguex; Fux’s Orfeo ed Euridice (Proserpina) with Le Concert des Nations and Jordi Savall at the Styriarte Festival in Graz; Monteverdi’s L’Orfeo at the Santander Festival; Pergolesi’s L’Olimpiade (Aristea) with Accademia Bizantina and Ottavio Dantone in Krakow.

She recorded for such labels as Naпve, Glossa, Nibiru, Bongiovanni and RAI 3. Her recent discography includes: Vivaldi’s Teuzzone, Orlando Furioso (1714) (world premiere) and Catone in Utica for Naпve; Monteverdi’s L’Incoronazione di Poppea and Il ritorno d’Ulisse in patria as well as Cavalli’s Artemisa for Glossa; Zelenka’s Il Diamante for Nibiru. Her solo album ’Round M: Monteverdi meets Jazz, recorded for Glossa, has been one of 2010’s best-selling CDs.