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27 October 2017 (Fri), 19:00 World famous Mariinsky Ballet and Opera - Mariinsky II (New Theatre) - Conducted by Maestro Gergiev Opera Richard Strauss "Salome" one act opera

Running time: 1 hours 40 minutes

Book tickets for this performance Ticket prices before the discount: from US$ 108 to US$ 261 per ticket

Schedule for Richard Strauss "Salome" one act opera 2017/2018

Conductor: Maestro Valery Gergiev

Composer: Richard Strauss

Orchestra: Mariinsky Theatre Symphony Orchestra
Opera company: Mariinsky (Kirov) Opera

Opera in 1 acts

Performed in German with synchronised Russian supertitles

World premiere: 9 December 1905, Semperoper, Dresden, Germany
Premiere in Russia: 6 June 1924 State Academic Opera and Ballet Theatre (Mariinsky Theatre), Leningrad, USSR
Premiere of this production: 9 February 2017, Mariinsky Theatre, St Petersburg, Russia

Richard Strauss brought an extravagant intensity to his adaptation of Oscar Wildeĺs play Salomé. The glitter of Herodĺs palace, the flicker of torches and the pale light of the moon are all vividly evoked in a sumptuously rich score. When Salome had its premiere in Dresden in 1905 it received 38 curtain calls and established Strauss as a first-rank opera composer. Gustav Mahler called it Ĺone of the most important works of our dayĺ.

Strauss' Salome is one of the most eagerly anticipated opera productions of the season. Probably many Russian lovers of opera still recall the two Mariinsky Theatre productions of 1995 and 2000, staged on the initiative of Valery Gergiev by directors Julie Taymor and David Freeman. Not long before that, in 1989 Salome was presented during a tour to Leningrad by the Oper Stuttgart. That performance broke a sixty-year-long period of the lamentable absence of Strauss' works at the theatre, because in the 1920s the GATOB (today the Mariinsky) hosted performances of Salome and Der Rosenkavalier, while in 1913, four years after the premiere in Germany, Vsevolod Meyerhold staged Elektra here, the rehearsals being attended by the composer himself. 
The Strauss repertoire of the Mariinsky Theatre today has been cultivated by Valery Gergiev's love of this music that is highly complex in terms of structure. In addition to Salome, the conductor has worked on a production of Elektra and the Russian premieres of the operas Die Frau ohne Schatten and Ariadne auf Naxos. A sound performance foundation of the new Salome is guaranteed by the casts announced, among them Musikdrama soloists Mlada Khudoley, Yevgeny Nikitin, Larisa Gogolevskaya and Andrei Popov as well as the promising young singers Elena Stikhina, Evgenia Muravieva, Lesya Alekseyeva and Alexander Mikhailov. 
The new production will also intrigue through its unexpected directing and design decisions. Drama director Marat Gatsalov, for whom Salome marks his first work in opera, admits that "In our version of Salome it is not a story about a fornicatress who passionately desires Jokanaan. We see the collision of great ideas, between which the protagonists find themselves as if between a rock and a hard place. Salome's passionate desire to kiss Jokanaan is probably the desire to drown out the voice of new truth." Working with Gatsalov are designers from Latvia: set designer Monika Pormale and the design duo MAREUNROL'S, who have already created the elegant visual designs for Eugene Onegin at the Mikhailovsky Theatre. Also playing a major role in the production are the video graphics, which have been created by the experienced artist and set designer Katrīna Neiburga. 


Theáyoung captain of theáguard Narraboth's gaze lovingly follows Salome, who is feasting with theáguests of King Herod. Herodias' page, amazed at theáunusual moon, warns his friend of danger. From theádungeon theávoice of theáprophet resounds, announcing theábirth of theáSon of God: "When He comes theádesolate places shall rejoice, theáeyes of theáblind shall see theáday and theáears of theádeaf shall be opened."

Followed by theálustful glances of her step-father, Salome leaves theáfeast. Theáthreatening speeches of Jokanaan awaken her curiosity, and theáprincess wishes to see theáprisoner. She gently asks Narraboth to do this and he, unable to resist her charms, breaks theátetrarch's orders. Jokanaan denounces Herod and Herodias, covered inásweat and tears, and he calls on them to repent. Desiring to be caressed and kissed, Salome tries to approach theáprophet, but he spurns theá"daughter of Sodom". Amazed at what he has seen, Narraboth killed himself. Cursing, Jokanaan retreats to his cell.

Haunted by nightmarish visions bordering on hysteria, theátetrarch seeks out his step-daughter. He offers Salome wine and exotic fruit as well as aáseat at theáfeast next to him. Yet she coldly rejects his advances. Again theáthreatening prophecies of Jokanaan are heard. Herodias asks for him to be given to theáJews, but Herod is fearful of issuing such an order as he considers Jokanaan to be aáholy man. TheáNazarenes speak of theámiracles of theáMessiah which they have witnessed. Inátheáhopes of distracting himself from his gloomy thoughts, theátetrarch convinces his step-daughter to dance for him and, for theápleasure, he will grant her every wish. Taking Herod on oath, Salome begins her dance of theáseven veils.

Herod is delighted and he asks what theáreward should be. Salome demands theáhead of Jokanaan. Sensing impending doom, Herod tries to pay by other means, but theáprincess insists. Theátetrarch is forced to fulfil his promise. Salome is given Jokanaan's head.

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Schedule for Richard Strauss "Salome" one act opera 2017/2018

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